Correspondence Between the Enochian & Ethiopic Alphabets
By V.H. Soror and Ad. Maj. V.N.R.
In the Book of the Concourse of the Forces it is stated that the letters of the Enochian Alphabet are of the nature of sigils and can therefore be better employed for magical purposes than our ordinary Roman characters, and we find proof of their force and correctness as to correspondence in the skrying of the squares of the Enochian Tablets. One or more of these letters being placed on the particular square employed in a vision, instead of the Roman letter will aid the skrying power by compelling the force of concentration on to the one square in question and on no other.
For however great may be the power of Clairvoyance, the student will find himself obtaining erroneous results should he not carry his correspondences to the last detail. Therefore it is wise to use the particular sigil of the square, as well as the general one of the Tablet, and naturally as well the ruling Names (Deity, Angelic and otherwise) with the correct pronunciation and vibration thereof, the colours &c &c.
The descent of the Book of the ‘Concourse of the Forces’ from the Egyptian Wisdom is undoubted, for we find that the very key note of the scheme of these tablets is the esoteric meaning of the Great Egyptian Symbols of the Pyramid and the Sphinx. The probability is then that this Tablet language has its origin in the Egyptian and its close resemblance to the Ethiopic (which is generally supposed to be derived from Egyptian) is very marked as the Table will show.
Certainly, certain of these letters have a resemblance only when inverted or transposed, but this is not surprising when we consider the nature of hiero-glyphics, which can be read from right to left or vice versa and downward or in groups, and that a letter may also be turned in several directions.
The Ethiopic is composed (according to Gesenius’ Hebrew Grammar of 26 letters all consonantal (as are most Semitic languages) the vowels being expressed by little curves or dashes seven in number, for instance (here the curve or dash is at the right side and further it is half way up. In the second case the curve is at the top.)
In the Tablets, when written in the Roman character the vowels are sometimes omitted. It is for this reason that we have been told to pronounce certain vowels after certain consonants. e.g. If B in an Angel name precedes another consonant, as in SOBHA thou mayest pronounce it SOBAYHAH (Book of the Angelic Calls).